16,659 Royalty-Free Audio Tracks for "Audio Files About Midi"

Georg Muffat: Toccata prima for organ.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Ives quarter tone fundamental chord.

Orlando Gibbons: The silver swan (1612).

Adriaen Willaert: Le dur travail.

Takt 54 bis 56 aus frederic Chopins Klaviersonate h-Moll, erster Satz

C major bebop scale.

Nederlands: Frederic Chopin: Ballade #4. Afkomstig van: http://www.ibiblio.org/mutopia/cgibin/piece-info.cgi?id=422, publiek domein

MIDI file extract from 'Twofold Bay Waltzes' by Georgina Isabella O'Sullivan nee Keon (1842-1927) niece of John Hubert Plunket QC

MIDI file of 'Beaux Yeux' (Beautiful Eyes Waltz 1908) by Australian composer May Summerbelle (1867-1947) dedicated to Grace Palotta

Example of an altered chord progression in jazz.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

Augmented triad on D.

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

Ab-over-A slash chord.

6-Z44 hexachord.

*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

*12167th harmonic on C = E+. Equal-tempered: 24/12:1 = 684.82 cents. Limit: 23-limit. MIDI pitch bend: 18,91 on TT

*15625th harmonic on C = A♯+. Just: 4/12 = 1117.88 cents. Limit: 5-limit. MIDI pitch bend: 92,69

*6859rd harmonic on C = B. Just: 4/12 = 892.54 cents. Limit: 19-limit. MIDI pitch bend: 78,61

Johann Sebastian Bach, Kantate 87:6, Tenorarie Ich will leiden, ich will schweigen

Neapolitan sixth in C minor.

Vergleich der Adagios von Haydn op. 64/Nr. 5 und Beethoven op. 2/1

Ausschnitte aus der Klaviersonate Nr. 3 f-Moll. op. 5, von Johannes Brahms

Periodizität in Joseph Haydn Klaviersonate Hob. XVI/1

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Former national anthem of Afghanistan used from 1992 to 2006. Composed by Ustad Qasim in 1919; he died in 1957.

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65

*Ditone (Pythagorean major third) on C = E+ (Ben Johnston's notation). Just: 81:64 = 407.82 cents. Limit: 3-limit. MIDI pitch bend: 64,66 81st harmonic.

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

*3125th harmonic on C = F♯+. Equal-tempered: 23125/2048:1 = 731.57 cents. Limit: 5-limit. MIDI pitch bend: 13,42 on A7

Leise rieselt der Schnee

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

*Eight-hundred-forty-seventh harmonic on C = A↑↑♭. Just: 847/512 = 871.46 cents. Limit: 11-limit. MIDI pitch bend: 111,54

*Six-hundred-eleventh harmonic on C = ?. Just: 611/512 = 306.03 cents. Limit: 47-limit. MIDI pitch bend: 119,65

*Nine-hundred-twenty-fifth harmonic on C = A+. Just: 925/512 = 1023.97 cents. Limit: 37-limit. MIDI pitch bend: 85,71

*Two-hundred-fifty-fifth harmonic on C = B♯. Just: 255/128 = 1193.22 cents. Limit: 17-limit. MIDI pitch bend: 106,61

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

*Seven-hundred-seventy-seventh harmonic on C = G♯+. Just: 777/512 = 722.12 cents. Limit: 37-limit. MIDI pitch bend: 10,71

*Eight-hundred-forty-first harmonic on C = A♭+. Just: 841:512 = 859.15 cents. Limit: 29-limit. MIDI pitch bend: 118,50

*Two-hundred-thirty-first subharmonic on C = D↓-. Just: 256/231 = 177.90 cents. Limit: 11-limit. MIDI pitch bend: 118,56

*Four-hundred-fifty-fifth harmonic on C = B♭. Just: 455/256 = 995.67 cents. Limit: 13-limit. MIDI pitch bend: 78,62

*Three-hundred-fifty-first harmonic on C = F+. Just: 351/256 = 546.39 cents. Limit: 13-limit. MIDI pitch bend: 108,78

*Hundred-seventh harmonic on C = ?. Just: 107/64 = 889.76 cents. Limit: 107-limit. MIDI pitch bend: 93,92 on m6

*Four-hundred-ninety-third harmonic on C = B. Just: 493 : 256 = 1134.53 cents. Limit: 29-limit. MIDI pitch bend: 6,75